Orchestras of Auschwitz
LONG-FORGOTTEN MUSICAL COMPOSITIONS AND ARRANGEMENTS BY HOLOCAUST PRISONERS HAVE BEEN RESCUED FROM OBSCURITY.
80 YEARS ON FROM THE LIBERATION OF AUSCHWITZ, IT’S TIME TO BRING THEM BACK TO LIFE.
Constella Music has premiered the first-ever recording of Adam Kopyciński's Kołysanka (Lullaby), written while he was imprisoned in Auschwitz in 1941. The piece was performed by award-winning concert pianist Mateusz Borowiak. This composition is just one of many that Leo Geyer, Constella's Artistic Director, has been studying over the 8 years, as part of his doctorate at Oxford University. Constella Music are creating an opera-ballet to showcase this music for the first time, and we need your support to make this possible. If you would like to hear more of this music, please consider making a donation below.
Salvaged from scraps of paper with fading pencil marks and burnt edges, these pieces of music are a bridge back to the past, and a window into the human spirit that prevailed in an otherwise unimaginable place.
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Most of the manuscripts were destroyed along with the lives of over a million people. What remains are the fragments of 210 pieces of music, which have been meticulously recomposed into an opera-ballet by composer, conductor and Constella Music’s Artistic Director, Leo Geyer.
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Performances of ‘The Orchestras of Auschwitz,’ are planned for mid 2025, to commemorate 80 years since the liberation of Auschwitz.
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This music needs to be heard, and Constella has now started a fundraising drive on Just Giving to finally make this a reality. Please consider donating today and help us bring this important music back to life.
Supporters
Constella would like to thank the following organisations and donors for their generous support of this project.
Harold Hyam Wingate Foundation
David Craigen
Heidi Spiegel
Adrian and Jessica Nussenbaum
Marie Elvire Marteau
Aton Ben-Horin and Devon Reed McCutcheon
The Nicholas Boas Charitable Trust
The Story
The brutal realities of Auschwitz often played out against a backdrop of jaunty music. An orchestra of prisoners was forced to entertain Nazi officers and perform as their fellow captives marched to and from work.
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However, as composer Leo Geyer found when he first encountered the musical manuscripts on a visit to the concentration camp in 2015, the prisoners also resisted in subtle ways, weaving in hidden melodies that only their compatriots would recognise.
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One piece titled ‘Futile Regrets’ really resonated with Geyer. “It sent goosebumps down my spine,” he remembers. “I felt it was my duty to finish it.”
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And so began Geyer’s mission to preserve the musical legacy of Auschwitz and honour the victims of the holocaust.
Anita Lasker-Wallfisch, was photographed at her home in London, December 2020, by Karen Robinson/The Observer
Auschwitz I Men's Orchestra, Auschwitz-Birkenau State Museum
At one point, Auschwitz had as many as six orchestras that were sanctioned by the SS. It’s difficult to imagine a more macabre setting for music-making, but for some, like Anita Lasker-Wallfisch, who played cello, the music literally saved their lives.
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“That I survived nearly one year in Auschwitz is without any doubt due to the fact that I became a member of the camp orchestra. As long as the Germans wanted music they wouldn’t put us in the gas chamber.
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Our task consisted of playing every morning and every evening at the gate of the camp so that the outgoing and incoming work commandos would march neatly in step to the marches we played. We sat out there in all weathers, sometimes in sub-zero temperatures.
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All the works we played had to be arranged and re-orchestrated for our peculiar collection of instruments.”
“In a subtle way it helped me to maintain a shred of human dignity"
Anita Lasker-Wallfisch.
The Live Performances
A run of five full-length performances, comprising music, ballet and storytelling are planned for June 2025, to coincide with the 80th anniversary of the liberation of Auschwitz.
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Fundraising for this project has begun and support has already been secured from a number of foundations championing the performing arts, as well as the Holocaust Memorial Day Trust and Cockayne Foundation, but additional financial backing is still needed.
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The total cost of the production is £500,000, based on funding received to date, we will require additional funding of £332,500.
This includes:
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Further research and music composition work
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Choreography by a world class choreographer
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Artists, creative and support team and much more
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Excerpts of the music were performed at Constella’s 10th Anniversary Performance in Sadler’s Wells in November 2023, and
based on extensive national and international press coverage, we know there’s considerable interest in seeing this project realised.
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Our long-term ambition is to tour ‘The Orchestras of Auschwitz’ nationally and internationally. This music deserves to reach as wide and diverse an audience as possible. And after being lost for so many decades, it is now our collective responsibility to make it happen.
Press Coverage
For full listings please see our News page
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"A rediscovered lullaby from Auschwitz"
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Norman Lebrecht, Slippedisc
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"Lullaby from Auschwitz played for the first time since the war"
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"Restored music composed by Pole at Auschwitz premiered on YouTube"
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“Music composed at Auschwitz to be played for first time after being restored.”
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Lianne Kolirin, CNN
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“Sheet music written by Auschwitz prisoners collected dust for decades. This British composer restored it.”
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Abby Hughes, CBC Radio
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“With the wave of a conductor’s baton, a heartbreaking melody began to resound inside a concert hall in London.”
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María Luisa Paúl, Washington Post
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“The Sadler’s Wells performance is just the beginning for Geyer, who seeks funding to complete the full score. His ambitious vision includes a London production followed by an international tour, ultimately bringing the music back to Poland.”
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Olivia Gittel, The Jewish Chronicle
THIS MUSIC AND THESE STORIES FROM AUSCHWITZ MUST BE TOLD AND RETOLD FOR GENERATIONS TO COME. THEY ARE A WAY TO REMEMBER, TO EDUCATE, AND TO HEAL.
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BY SUPPORTING THIS PROJECT YOU WILL BE HELPING TO PRESERVE AND HONOUR THE CULTURAL AND ARTISTIC EXPRESSIONS THAT EMERGED EVEN IN THE DARKEST TIMES OF HUMAN HISTORY